While the cloth was laid, the host and Thames descended to the cellar, whence they returned, laden with a number of flasks of the same form, and apparently destined to the same use as those depicted in Hogarth's delectable print—the Modern Midnight Conversation. She had pushed aside her azure veil, taken off her snow-glasses, and sat smiling under her hand at the shining glories—the lit cornices, the blue shadows, the softly rounded, enormous snow masses, the deep places full of quivering luminosity—of the Taschhorn and Dom. “Let’s go. .
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