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Chapter IV THE TEMPERAMENT OF AN ARTIST “You may sit there and smoke, and look out upon your wonderful Paris,” Anna said lightly. In passing, why do we fear death? For our sins? Rather, isn't it the tremendous inherent human curiosity to know what is going to happen to-morrow that causes us to wince at the thought of annihilation? A subconscious resentment against the idea of entering darkness while our neighbour will proceed with his petty affairs as usual? "It's nip and tuck," said the doctor; "but we'll pull him through. ‘More, I think,’ put in Madame, soulfully regarding the major, ‘because I have English, a little. But this only incensed the assailing party the more. I'm trying to make you see the worldly point of view, which always inclines toward the evil side of things. It was Celeste’s idea. Katy’s face was vapid and undistinguishable from a crowd, but pretty in an abstract sense, like the face of a baby doll. The call of youth to youth, and we name it love for want of something better: a glamorous, evanescent thing "like snow upon the desert's dusty face, lighting a little hour or two, was gone.

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